Happy New Years!
How was your winter holiday? Full of good times and happy people I hope.
In order to start the year off on the right foot, I thought it would be a good idea to update the site with some of my most recent commissions. Whether the news is surprising or not, I received a few comments from folks whom were unaware of the extent of my artistic capabilities. I hope this year gives me more opportunities to showcase my skills, as it can only lead to my portfolio expanding in breadth.
That said, I'd like to start off that conversation with an acrylic painting I was commissioned for during the holiday break. I was instructed to paint a couple rowing across a pond in a semi-impressionistic style. Here is a side-by-side comparison of the reference photos below.
To be fair, I think some painters would take the time to make small scale sketches to inform the overall design and technique to be utilized in the final piece. However, considering that time and money weren't that much of an option in my case, I decided to jump in, prime my canvas and loosely sketch out my plans.
Its here that I would like to acknowledge the general misconception most people have between drawing and painting. Fundamentally, the two are different in how each applies the order of design elements and how strongly each individual element is emphasized according to the necessity of the final product. For those unaware, the elements of design are: Space, Line, Shape, Form, Value, Color, and Texture. When drawing, the artist is highly reliant on both line and space to express their vision. Since a single pencil/pen is limited by its lack or limited use of color, an artist need not worry about its effects as they progress the image to completion. Instead, the artist must constantly be aware of space and shape in the early stages of the work since accuracy is highly valued. On the other hand, the characteristics of a paintbrush prevent an artist from relying too heavily on line at all. In fact, depending on the painting style, there should be little-to-no line-work implemented until the very end of the painting process. That means painters often rely on shape and form to block-out areas within the space to create a composition.
Accuracy may still be important, but paint has the flexibility of being covered up by more paint. White space does not share this type of forgiveness for artist who draw(though an eraser may be enough in some cases). So, as you can see in the following image, I've blocked-out large areas of the painting to reflect the process mentioned above, eventually reaching a point where the only negative space left is of the subjects on the boat.
I should also acknowledge the amount of strategy and planning that goes into painting. Since the medium dries quickly*, pigments must be mixed with enough quantities in advance, and specific brushes are necessary at various points in the process, therefore, the activity requires a lot of patience and discipline. This becomes especially true once a person becomes more focused in the smaller areas that require more attention to detail.
While I'm pretty satisfied of what I managed to complete in just 2.5 days, there are many areas I'd like to improve the next time I'm commissioned for a painting. Since I use acrylics, the medium tends to dry quickly which prevents the smooth blending capabilities common among oils. Since that is the case, I want to try "painting into wet" more often. You can actually see this technique along the hull of the boat in the photo above. Next, I want to improve my atmospheric perspective, i.e; diffusing background elements into the sky to produce depth in the composition. Finally, I want to buy finer brushes to paint smaller areas in greater detail should future projects require it.
Otherwise, what do you guys think? Would you like to see more traditional paintings in the future? What styles would you like to see me attempt? Leave your thoughts in the comments below. As always, don't forget to like and share this post~
Until next time,
Welcome to another edition of Toriaezu Tuesday. This week I've decided to reflect on some of the music I've been listening to over the past couple months as I prepare for the JLPT(Japanese Language Proficiency Test). As that is the case, this list will be dedicated to exploring Japanese music exclusively. Now, I'm not sure what your impression of Japanese music is, but the production isn't tailored for everyone when considering the pop or rock aspect of the music industry. These 2 genres are by far the most popular among the general population, but fortunately for you guys, I have no horse in that race.
After digging through the proverbial crates, I've compiled a playlist of alternative, smooth melodic sounds that aren't so grating to the ears. I've only selected a handful of artist this time around, but if you're interested in hearing more or knowing the titles to the full on Japanese song titles, leave your request in the comments.
What do you all think? Are you interested in other genres of music? What would you like to hear next time? Perhaps more of the same artist? Leave your thoughts in the comments below. As always, dont forget to like and share this post~
Until next time,
Long time, no see. Last month was extraordinarily busy between moving house, vacationing in Barcelona, accommodating my grandparent's first visit to Japan, and of course, work. October was joyful overall and I'm kinda sad to see it fade into the past as we move into the end of the year. Hopefully, 2020 will be just as eventful. In any case, I have a backlog of things to share with you all, so I aim to publish the content that has slowly been building up in my sketchbook over the past few weeks. Lets start with a long overdue, WIP Wednesday.
Not too long ago, I was commissioned to create a logo that could merchandise the image of an upcoming rap artist. I've worked on logos for bakers, business consultants, student organizations, pod-casters, Twitch Streamers, cannabis marketers, and others; but never a rapper. I thought taking on this project would be an exciting opportunity that would continue to prove my flexibility at challenging different markets; often requiring different artistic styles and techniques.
As always, I discussed the use-purpose of the logo, the message my client want associated with it, as well as stylistic options to be considered throughout its development. After concentrating our meeting to a few notes, later translated as keywords, I created a Pinterest board full of reference photos to help focus the vision of the final design.
Its rare that I have a client with a vision simple enough to be distilled into a few basic ideas, but I think it worked out in the best interest of the overall design as I managed to fly through the sketch process with little resistance.
However, due to the nature of the line-work and my ideas for how to approach rendering in the future, assigning the appropriate values in the correct order, in the right places was by far the most challenging part of the process. I think most people would not be so considerate in attributing so much time to this part of the production, but finding values that elevated and maintained the integrity of the design is paramount in how readable the work is. My exercises focused on no more than 6 values, with varying proportions over 20 different sketches. If you look closely at the images below, you can read some of the notes critiquing some the flaws and points of interest to maintain in each consecutive iteration.
From here on, the next stages require a few color iterations to ensure the accuracy of my vision. Perhaps you can grasp what I'm going for by the references I've collected through Pinterest. Otherwise, you all can look forward to the final design in the coming weeks. What do you think so far? Leave your thoughts in the comments below. As always, don't forget to like and share this post.
Until next time,
Welcome back to another addition of random Japanese words you will likely have no use for in your daily life. As some of you may or may not be aware, Japan is suffering from population decline. Aside from the general public not having enough children to replace the current population, mass population displacement/migration isn't exactly helping the situation either. Since the economy is heavily reliant on the GDP generated from its largest cities, many people leave their homes in the countryside to reside closer to financial centers with more opportunities. That brings us to today's word, 秘境駅/ひきょうえき/hikyoueki・secluded station. Its a very straightforward combination of characters, so lets breakdown these kanji.
⦁ 秘/ひ/hi - secret/conceal
⦁ 境/きょう/kyou - boundary, border, region
⦁ 駅/えき/eki - (train)station
The best way for me to explain these kanji is by introducing you to some other words that utilize them in ways that make their individual definitions more apparent. So, lets start with (秘), which is most often found in the word 秘密/himitsu・secret and (境), commonly found in the word 環境/kankyou・environment. By extracting the definition of these two words and applying them to 秘境駅, it wouldn't be a stretch to assume that it represents a station in a secret environment; otherwise, a station in a remote/secluded region.
So, how did I come across this word anyway? Well, Japanese television seems to make a mission out of turning anything into semi-interesting programming, so when I found a segment of a show in which a man waits for hours at a secluded station to see what type of person off-boards, I was pretty intrigued. I've included a clip for you all to enjoy below, unfortunately there are no subs available. However, I'm sure you guys are bright enough to figure out whats going on using context clues.
On the other hand, I did find a Daily Mail report that did a piece on a station that remained open for several years so a single high school student could get to school everyday. However, upon her graduation, the station, like many others closed down.
What do you guys think? Are there regions in your country or city not serviced by public transit? How important is public transit to the infrastructure of your region? Is it possible/probable that an entire station would remain in service for the sake of one person? Leave your thoughts in the comments below. As always, don't forget to like and share this post.
Until next time,
Welcome back to the blog.
A few months ago, a former co-worker commissioned me to create a logo for a custom set of business cards. It was a simple identity/branding task, that was aimed at helping my client become established as a distributor of fine South African wines for markets here in Japan.
I've since lost contact with him, but he was extremely satisfied with my work the last I heard. Naturally, as with all my design tasks, I created a Pinterest board to help guide the overall direction of the logo creation(seen below). However, looking beyond the simplicity of a business card, I decided to go one step further and develop his idea into the potential packaging of a wine bottle design.
This time I focused on the unique identity of the people and culture of South Africa. Therefore, I collected various imagery that resonated with these ideas and included those in the board as well. Using the reference materials above, I created various colored drafts and patterns to use in the final design. Though none of the patterns are particularly authentic to the country of South Africa, the purpose of the exercise was to simply interpret the data and create an impression of the multitude of cultures, languages and ethnic groups that the country prides itself in.
Combining this patchwork of artistic identity would eventually lead to the painting seen below. Foregoing the typical paper labels pasted on wine bottles around the world, I decided a fabric label would not only heighten the perceived quality of the product, but better align with the more earth-bound and natural essence of the people. I believe my design evokes the unique hand-dyed and spun fabrics of kente cloth found in many communities and countries across the African continent.
I was quite happy with the result of my bottle, especially taking into consideration it was completely made in a brand new program that I have yet to become proficient in(Krita for those interested). However, I was still curious as to how I could make a proof of concept for potential advertising. So, I took this design to the next level and created a mock-up for a billboard. At this point, I imagined Istanan Wines to be more than a distributor of established wine brands, but a full fledged winery. Because...why not?
What do you guys think? If I go back and make edits, I would probably drop the contrast of the text by using an alternative color to black since it doesn't actually exist in nature. Overall, I'm pretty happy with the end product. What product should I design next? I'm considering making a package for my ChaTo project or moving on to something completely new; animation perhaps? Leave your thoughts in the comments below. As always, don't forget to like and share this post.
Until next time,
Long time, no see. Apologies for the extended absence. Your boy was going through some things(some of which, remain to be resolved). However, thats neither here nor there. I decided today would be a good day to return to my habit of exploring random Japanese words I consider interesting. Today's choice is a complicated one, inspired by various personal, political, and social events. For the sake of not being so esoteric, lets focus on the demonstrations that have plagued Hong Kong for the past 3 months. I won't go into too much detail regarding Carrie Lam's proposed extradition bill, but if you are interested in learning more, feel free to checkout Asian Boss's video below.
In any-case, these protesters are vehemently opposed to the use of force by the Hong Kong police department, even resorting to violence in cases of self-defense. Therefore, I have decided today's word is "抵抗/ていこう/teikou・resistance", so lets breakdown these kanji.
As you can see, this word contains 2 separate kanji with roughly the same meaning. While some may find this to be a nuisance, I personally find this to be a blessing in disguise. Due to the number of instances in which either character may appear in combination with others, it increases the probability of understanding the general meaning of a previously unknown word. This happens to be the case for the latter half of "抵抗", (抗), since it functions as a prefix for many words such as:
抗議・Protest 抗菌・Antibacterial 抗争・Dispute 抗うつ剤・Antidepressant
On the other hand, the former half of "抵抗", (抵), is much more complicated, hence why it might be considered a nuisance. However, to be fair, its alternative uses could loosely be associated with ideas that are functionally "contrary" to a person's interest, as in:
抵触・Inconsistent/Contradictory 抵当・Mortgage 抵当流れ・Foreclosure 副抵当・Collateral security
I think its cool that these symbols can be packed with so much meaning, both static and fluid. Are you able to reconcile the slight nuances between the two kanji introduced at the top of the post? Can you see how they might differ in use depending on the context given in their alternative examples? Are there words in your native language you feel may be redundant or obsolete? Leave your thoughts in the comments below. As always, don't forget to like and share this post~
Until next time,
When was the last time you saw a sketchbook? What was in it?
This is mine. A patchwork of my likes, experiences, and memories. What would you expect to find inside should you open it? Its not unreasonable to assume there would be numerous illustrations considering its a sketchbook.
Mine, however, features more writing than one might expect.
Yet, there was once a time when I refused to take notes here as to not ruin the continuity of the book. Thats obviously no longer important, as the book is meant for me and doesn’t require the elements to make it a “showpiece”. That said, its contents should showcase the utility of my process as it relates to art, regardless of the amount of illustrations present.
Many of the notes are simply shortcuts and bullet points for my design processes; ideas to be considered when taking a piece from one phase to another (especially when digital tools are introduced). So, instead of constantly drawing to grow my technical skills toward mastering specific techniques, I usually focus on organizing my thoughts and envisioning methods to produce visuals that I may not have the time/patience to render by hand. Thankfully, this has given me the ability to devise design plans quickly and efficiently. Sometimes allowing me to take a portion of one project and implement it in a completely different context or use-case. See my Olympic postage stamp as an example. This one instance has now afforded me the option to purse a completely new project that could potentially be monetized.
Since its WIP Wednesday, I thought sharing a look at my book would help inform my audience about my approach to art creation. Simultaneously, acknowledging the possibility of varying ways in which to create design solutions. I firmly believe the way I’m able to strategize quick and reliable solutions for clients is due to the resourcefulness of my sketchbooks. Often offering me the most creative solutions even when the path is not so obvious.
What do you think? Do you keep a sketchbook, bullet journal, or planner? What do you use it for? Leave your thoughts in the comments below. As always, don’t forget to like and share this post~
Until next time,
I was debating whether I should submit my work on this little design project I produced for an acquaintance. There wasnt any meaningful amount of time spent creating this, but a concentrated effort to produce something that functionally delivered my client's request.
First, some context. Pio2i is an independent business consultation service based in central Tokyo. The specifics surrounding this enterprise are lost on me, but one thing was made very clear by my client, "boobs". He wanted his logomark to incorporate female breasts in a subtle way only obvious to himself. Normally I would decline this type of assignment since I cant really reciprocate such a low level of maturity, but the challenge was too tempting. Thus, I folded and explored just how creatively I could execute such a plan.
Per usual, I started my endeavor by researching competitor logos and cataloged the types of imagery that communicates corporate identity. Admittedly, most of what I found was very vague or too straightforward. I think most designs were uninspired, which granted me the flexibility to make something more dynamic a creative(considering my source material).
The next step was finding a method to not only simplify the shape of the shape of breast, but maintain the design integrity as it was manipulated into other objects. So, after drawing a select number of breasts from varying angles, I settled on the best candidate for the job. Doubling back on some of the iconography often utilized by corporate culture as well as some keywords often associated with it.
My explorations eventually brought me the image of an eagle, a bird that rises above and perseveres, strong and determined. All qualities I think most successful business' would like to project. I think being able to confidently express this part of the design process is paramount in receiving a positive response to any proposed logo or branding material. This way, the client can feel contributory in helping realize the vision of the design as it relates to the mission of their business.
After refining the shape design, adding color, and mocking-up the design across relevant stationary and corporate letterhead, I think I was quite successful in marrying these 2 contrasting ideas. What do you think? Would you think twice about the origins behind the images you see? What other objects should I turn into a logo? Leave your thoughts in the comments below. As always, don't forget to like and share this post~
Until next time,
Long time, no see! I recently finished moving from Saitama to Kanagawa prefecture. I don't intend to stay at my current residence for very long though. I'm temporarily couch-surfing, but hopefully I can save a considerable amount of money before I move again in September. In any case, the transition has made utilizing my computer equipment much more inconvenient, so the next posts over the following weeks will focus on curation rather than my creations.
This video in particular from The Futur Academy has really motivated me into thinking more critically about my audience's perspective when visiting my website. Whether they are fans, friends, potential employers or clients, describing my work with clear context has become my goal for the summer. I think the whole video is worth watching, but here are some of my top picks you can scrub to:
7:25 – What problems did you solve as a designer?
9:30 – The importance of showing process and how you think.
29:00 – Highlight insights to show how you've formed your design solution.
37:00 – Your work does not speak for itself. Explain your work.
Currently, my portfolio is setup in a manner that emphasizes the breadth of my skill, but not my process. This got me thinking on how to better showcase the content I do have, so that my role in the conception becomes clear. If you've been following the blog for long, you're probably already aware of my push to expand my older projects. Though this fills a lot of space in my portfolio with important visuals, I realized that the extra images don't mean much without the context of a story. Therefore, I've been looking into various ways of making the website more engaging and receptive to HR people. Ya boy needs to change his job!
In other news, summer vacation starts soon so I'll be working a lot more diligently in the coming weeks What do you think? As an Artist, have you ever had a portfolio reviewed? How about those in other forms of employment, has your work publicly criticized and judged? How did you apply those changes to improve yourself? Leave your thoughts in the comments below!
As always, don't forget to like and share this post~
Until next time,
Another week means another work in progress update. Again, I will be revisiting the Musick's project since it seems to continuously grow in scale with each passing day. I promise next week will be something different though; I have a lot of different projects on hold at the moment.
Anyway, today's update is again related to the Musick's /podcast. I agreed to work with them over the coming year to produce an image for the weekly release of their podcast. Each image is intended to be a unique edition in what I can only hope would be a lovely collage of all things culturally Japanese. They aren't intended to be anything super sophisticated, but I think I will try to observe some major holidays/events, seasonal foods, and imagery that is commonly associated with this country from a domesticated perspective. So, don't expect to see any Sumo wrestlers, Geisha, or any other stereotype images over the next 52 weeks.
Above are the first 4 images I've drawn up for the most current and furture episodes(at the time of writing). I'm pretty happy that I've been entrusted with a long term project like this. Since I have full creative control of these images, I think it will ultimately help showcase my versatility and creativity in the long run. Of course, it will no doubt improve my consistency and speed as well.
What do you guys think? What kinds of projects are you working on? Have you ever been commissioned long term? What kinds of images do you associate with Japan? Do you want to know why I chose the imagery that I did? Leave your thoughts in the comments below. As always, please like and share this post~
Until next time,